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A Participatory Live Music Performance with the Open Symphony System.

, , , , and . CHI Extended Abstracts, page 313-316. ACM, (2016)

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Exploring visual stimuli as a support for novices' creative engagement with digital musical interfaces., , and . J. Multimodal User Interfaces, 16 (3): 343-356 (2022)How does it feel like? An exploratory study of a prototype system to convey emotion through haptic wearable devices., and . INTETAIN, page 64-68. IEEE, (2015)Persistence in web based collaborations., , and . WWW (Special interest tracks and posters), page 910-911. ACM, (2005)Demo hour., , , , , , , and . Interactions, 25 (1): 8-11 (2018)The LuminUs: Providing Musicians with Visual Feedback on the Gaze and Body Motion of Their Co-performers., , and . INTERACT (2), volume 9297 of Lecture Notes in Computer Science, page 47-54. Springer, (2015)Musicking with an interactive musical system: The effects of task motivation and user interface mode on non-musicians' creative engagement., and . Int. J. Hum. Comput. Stud., (2019)ReImagining: Cross-cultural Co-Creation of a Chinese Traditional Musical Instrument with Digital Technologies., and . NIME, page 382-387. nime.org, (2020)Sketch-Based Musical Composition and Performance., , , and . NIME, page 569-572. nime.org, (2014)"What Is Human?" A Turing Test for Artistic Creativity., , and . EvoMUSART, volume 12693 of Lecture Notes in Computer Science, page 396-411. Springer, (2021)Visualising mutual engagement., and . EVA, BCS, (2012)