Pick up a book, magazine or screen, and more than likely you'll come across some typography designed by Matthew Carter. In this charming talk, the man behind typefaces such as Verdana, Georgia and Bell Centennial (designed just for phone books -- remember them?), takes us on a spin through a career focused on the very last pixel of each letter of a font.
One of the most common questions I receive from beginning UI designers is: what font size should I use for my project? Maybe it’s a website, maybe an Android app, maybe iPhone/iPad. Ever wish someone had compiled all the rules in one place?
The act of choosing two typefaces is probably the first (and often most difficult) task you do when creating a new design. Many people get stuck here, myself included. Recently, I discovered a simple method to pair typefaces effectively and I'd love to share them with you. (Hint: it's a 3×3 grid).
Until now, chances are that if we dropped text onto a web page in a system font at a reasonable size, it was legible. But with many typefaces about to be freed for use on websites, choosing the right ones to complement a site’s design will be far more challenging. Many faces to which we’ll soon have access were never meant for screen use, either because they’re aesthetically unsuitable or because they’re just plain illegible. Jason Santa Maria, a force behind improved type on the web, presents qualities and methods to keep in mind as we venture into the widening world of web type.
With the basics of the CSS language covered, the next CSS topic for you to concentrate on is styling text — one of the most common things you'll do with CSS. Here we look at text styling fundamentals, including setting font, boldness, italics, line and letter spacing, drop shadows and other text features. We round off the module by looking at applying custom fonts to your page, and styling lists and links.
Egal ob in einem Buch, einer Zeitschrift oder am Bildschirm -- die Schriftarten von Matthew Carter haben Sie mit Sicherheit schon einmal gesehen. Mit viel Ch...
When PENGUIN was founded in 1935 with the radical concept of producing inexpensive paperback editions of high quality books, it adopted an equally progressive approach to typography and cover design. Under Jan Tschichold in the 1940s and Germano Facetti in the 1960s, Penguin became an exemplar of book design.
Typewolf is a curated design showcase that identifies the fonts used in the design. Our goal is to serve as a one-stop resource for designers seeking typographic inspiration for the modern web.
R. Doubleday. MX Design Conference 2005 website, (Sep 23, 2005)Paper presented at the MX Design Conference 2005: Design Perspectives Envisioning design for the XXI century. October 26th, 27th, 28th, 2005.