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The Challenge: From MPEG Intellectual Property Rights Ontologies to Smart Contracts and Blockchains Standards in a Nutshell., , , , , and . IEEE Signal Process. Mag., 37 (2): 89-95 (2020)Cultural Heritage Documentation and Exploration of Live Music Events with Linked Data., , and . SAAM@ISWC, page 1-5. ACM, (2018)Exploration of Grateful Dead Concerts and Memorabilia on the Semantic Web., , and . ISWC (P&D/Industry/BlueSky), volume 2180 of CEUR Workshop Proceedings, CEUR-WS.org, (2018)Interdisciplinary Classification of Audio Effects in the Audio Effect Ontology., and . ISWC (Posters & Demos), volume 1690 of CEUR Workshop Proceedings, CEUR-WS.org, (2016)Technology Enhanced Learning: The Role of Ontologies for Feedback in Music Performance., , , , and . Frontiers Digit. Humanit., (2018)A Method for Analysis of Shared Structure in Large Music Collections using Techniques from Genetic Sequencing and Graph Theory., , , , and . ISMIR, page 343-350. (2020)MPEG Intellectual Property Rights Ontologies for Media Trading and Personalization., , , and . DataTV@TVX, volume 2423 of CEUR Workshop Proceedings, CEUR-WS.org, (2019)RDFx: Audio Effects Utilising Musical Metadata., and . ICSC, page 452-453. IEEE Computer Society, (2010)