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Adapting personal music for synesthetic game play., , and . FDG, page 163-170. ACM, (2010)Normalized Cuts for Predominant Melodic Source Separation., , , and . IEEE Trans. Speech Audio Process., 16 (2): 278-290 (2008)Transforming Perceived Vocal Effort and Breathiness Using Adaptive Pre-Emphasis Linear Prediction., , and . IEEE Trans. Speech Audio Process., 16 (6): 1087-1096 (2008)Guest Editorial: Special Section on Music Data Mining., , and . IEEE Trans. Multim., 16 (5): 1185-1187 (2014)Factors in factorization: Does better audio source separation imply better polyphonic music transcription?, , and . MMSP, page 424-428. IEEE, (2013)Music analysis and retrieval systems for audio signals., and . J. Assoc. Inf. Sci. Technol., 55 (12): 1077-1083 (2004)New Music Interfaces for Rhythm-Based Retrieval., , and . ISMIR, page 130-136. (2005)Training Surrogate Sensors in Musical Gesture Acquisition Systems., , and . IEEE Trans. Multim., 13 (1): 50-59 (2011)Anssi Klapuri, Manuel Davy, Eds: Signal Processing Methods for Music Transcription.. Computer Music Journal, 32 (4): 86-88 (2008)Deep Autotuner: A Data-Driven Approach to Natural-Sounding Pitch Correction for Singing Voice in Karaoke Performances., , , , , and . CoRR, (2019)