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The user in flux: bringing HCI and digital arts together to interrogate shifting roles in interactive media.

, , , , and . CHI Extended Abstracts, page 45-48. ACM, (2011)

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Beyond participation: empowerment, control and ownership in youth-led collaborative design., and . Creativity & Cognition, page 335-336. ACM, (2011)Musical implications of media and network infrastructures: Perturbations of traditional artistic roles. Actes de H2PTM'01: Hypertextes hypermédias, nouvelles écritures, nouveaux langages, page 241-250. Université de Valenciennes, Lavoisier, (2001)From Telepresence to Co-experience: A Decade of Network Music. Neue Zetischrift, (2004)ed. Golo Foellmer.From GUI to AVUI: Situating Audiovisual User Interfaces Within Human-Computer Interaction and Related Fields., and . EAI Endorsed Trans. Creative Technol., 8 (27): e5 (2021)Machine Learning of Personal Gesture Variation in Music Conducting., , and . CHI, page 3428-3432. ACM, (2016)Muscular Interactions. Combining EMG and MMG sensing for musical practice., , and . NIME, page 128-131. nime.org, (2013)Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing., and . NIME, page 43-48. Media Lab Europe, (2002)Form Follows Sound: Designing Interactions from Sonic Memories., , , and . CHI, page 3943-3952. ACM, (2015)Designing musical interactions for mobile systems., , , and . Conference on Designing Interactive Systems, page 807-808. ACM, (2012)Panel Discussion: Algorithmic Music., , , , , , and . ICMC, Michigan Publishing, (1993)