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Computational Music Structure Analysis (Dagstuhl Seminar 16092).

, , and . Dagstuhl Reports, 6 (2): 147-190 (2016)

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Fuzzy Analysis in Pitch-Class Determination for Polyphonic Audio Key Finding., and . ISMIR, page 296-303. (2005)AVA: An Interactive System for Visual and Quantitative Analyses of Vibrato and Portamento Performance Styles., , and . ISMIR, page 108-114. (2016)Neo-Riemannian Cycle Detection with Weighted Finite-State Transducers., , and . ISMIR, page 399-404. University of Miami, (2011)An Optimization-Based Approach to Key Segmentation., and . ISM, page 603-608. IEEE Computer Society, (2016)IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations., , , , and . Audio Mostly Conference, page 11:1-11:8. ACM, (2017)CBFdataset: A Dataset of Chinese Bamboo Flute Performances., , and . (May 2020)Music Summarization Via Key Distributions: Analyses of Similarity Assessment Across Variations., and . ISMIR, page 234-239. (2006)Practical Implications of Dynamic Markings in the Score: Is Piano Always Piano?., , and . Semantic Audio, Audio Engineering Society, (2014)Conceptual and Experiential Representations of Tempo: Effects on Expressive Performance Comparisons., and . MCM, volume 7937 of Lecture Notes in Computer Science, page 76-87. Springer, (2013)Emergent Formal Structures of Factor Oracle-Driven Musical Improvisations., , , and . MCM, volume 6726 of Lecture Notes in Computer Science, page 241-254. Springer, (2011)