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A Higher-Dimensional Expansion of Affective Norms for English Terms for Music Tagging.

, , , , and . ISMIR, page 316-322. (2016)

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Investigation of a least squares method for high order filter synthesis., and . ISCAS (3), page 315-318. IEEE, (1999)Towards Music Structural Segmentation across Genres: Features, Structural Hypotheses, and Annotation Principles., and . ACM Trans. Intell. Syst. Technol., 8 (2): 23:1-23:19 (2017)Anomalous behaviour in loss-gradient based interpretability methods., , , and . CoRR, (2022)MPEG-M: Multimedia Service Platform Technologies Standards in a Nutshell., , , and . IEEE Signal Process. Mag., 28 (6): 159-163 (2011)A Web-Based System For Suggesting New Practice Material To Music Learners Based On Chord Content., and . IUI Workshops, volume 2327 of CEUR Workshop Proceedings, CEUR-WS.org, (2019)Automatic Interlinking of Music Datasets on the Semantic Web., , and . LDOW, volume 369 of CEUR Workshop Proceedings, CEUR-WS.org, (2008)Music Structural Segmentation Across Genres with Gammatone Features., and . ISMIR, page 561-567. (2016)Using Audio Analysis and Network Structure to Identify Communities in On-Line Social Networks of Artists., , and . ISMIR, page 269-274. (2008)The Music Ontology., , , and . ISMIR, page 417-422. Austrian Computer Society, (2007)Symbolic Representation of Musical Chords: A Proposed Syntax for Text Annotations., , , and . ISMIR, page 66-71. (2005)