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Expressivity-aware Music Performance Retrieval using Mid-level Perceptual Features and Emotion Word Embeddings.

, and . CoRR, (2024)

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Are we describing the same sound? An analysis of word embedding spaces of expressive piano performance., , , and . CoRR, (2024)On Perceived Emotion in Expressive Piano Performance: Further Experimental Evidence for the Relevance of Mid-level Perceptual Features., and . ISMIR, page 128-134. (2021)Music Tempo Estimation Using Sub-Band Synchrony., , and . INTERSPEECH, page 3093-3096. ISCA, (2017)Are we describing the same sound? An analysis of word embedding spaces of expressive piano performance., , , and . FIRE, page 58-66. ACM, (2023)Receptive-Field Regularized CNNs for Music Classification and Tagging., , , , , and . CoRR, (2020)Two-level Explanations in Music Emotion Recognition., , and . CoRR, (2019)Emotion and Theme Recognition in Music with Frequency-Aware RF-Regularized CNNs., , , , and . CoRR, (2019)Towards Explaining Expressive Qualities in Piano Recordings: Transfer of Explanatory Features Via Acoustic Domain Adaptation., and . ICASSP, page 561-565. IEEE, (2021)Emotion and Theme Recognition in Music with Frequency-Aware RF-Regularized CNNs., , , , and . MediaEval, volume 2670 of CEUR Workshop Proceedings, CEUR-WS.org, (2019)Expressivity-aware Music Performance Retrieval using Mid-level Perceptual Features and Emotion Word Embeddings., and . FIRE, page 73-77. ACM, (2023)