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Improvised duet interaction: learning improvisation techniques for automatic accompaniment., and . NIME, page 110-114. nime.org, (2017)Duet interaction: learning musicianship for automatic accompaniment., and . NIME, page 259-264. nime.org, (2015)Segmentation, Clustering, and Display in a Personal Audio Database for Musicians., , , and . ISMIR, page 139-144. University of Miami, (2011)A Statistical View on the Expressive Timing of Piano Rolled Chords., , , and . ISMIR, page 578-583. (2015)Active Scores: Representation and Synchronization in Human-Computer Performance of Popular Music., , , and . Computer Music Journal, 38 (2): 51-62 (2014)MidiFind: Similarity Search and Popularity Mining in Large MIDI Databases., , , , and . CMMR, volume 8905 of Lecture Notes in Computer Science, page 259-276. Springer, (2013)A Framework for Coordination and Synchronization of Media., , and . NIME, page 167-172. nime.org, (2011)Methods and Prospects for Human-Computer Performance of Popular Music., , , and . Computer Music Journal, 38 (2): 36-50 (2014)Autonomous robot dancing driven by beats and emotions of music., , , and . AAMAS, page 205-212. IFAAMAS, (2012)Expressive Collaborative Music Performance via Machine Learning.. Carnegie Mellon University, USA, (2016)