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"My Library Has Just Been Obliterated": Producing New Norms of Use Via Software Update., and . CHI, page 1-13. ACM, (2020)Multisensory experiences for singers: a first tangible prototype., and . UbiComp Adjunct, page 983-988. ACM, (2016)NIME Identity from the Performer's Perspective., , and . NIME, page 168-173. nime.org, (2018)When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise., , , and . NIME, page 299-304. nime.org, (2018)The finer the musician, the smaller the details: nimecraft under the microscope., , and . NIME, page 393-398. nime.org, (2017)Sound Designer-Generative AI Interactions: Towards Designing Creative Support Tools for Professional Sound Designers., , , , and . CHI, page 730:1-730:17. ACM, (2024)ARCAA: a Framework to Analyse the Artefact Ecology in Computer Music Performance., , , , and . ARTECH, page 25:1-25:9. ACM, (2019)Collaborative creativity: The Music Room., , , , and . Pers. Ubiquitous Comput., 18 (5): 1187-1199 (2014)Designing accessible musical instruments by addressing musician-instrument relationships., and . Frontiers Comput. Sci., (2023)Designing New Experiences of Music Making.. University of Trento, Italy, (2015)