Autor der Publikation

Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same?

, , , und . ICMC, Michigan Publishing, (2014)

Bitte wählen Sie eine Person um die Publikation zuzuordnen

Um zwischen Personen mit demselben Namen zu unterscheiden, wird der akademische Grad und der Titel einer wichtigen Publikation angezeigt. Zudem lassen sich über den Button neben dem Namen einige der Person bereits zugeordnete Publikationen anzeigen.

 

Weitere Publikationen von Autoren mit dem selben Namen

A comparison between continuous categorical emotion responses and Stimulus loudness parameters., , , , und . IISA, Seite 1-6. IEEE, (2013)Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response., , und . NIME, Seite 481-484. nime.org, (2010)The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music., , , , und . CMMR, Volume 7900 von Lecture Notes in Computer Science, Seite 1-18. Springer, (2012)The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts., , , und . ACM Trans. Appl. Percept., 11 (4): 22:1-22:20 (2014)Dynamic dance warping: Using dynamic time warping to compare dance movement performed under different conditions., , und . MOCO, Seite 94. ACM, (2014)Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same?, , , und . ICMC, Michigan Publishing, (2014)Emotionface: Prototype Facial Expression Display of Emotion in Music.. ICAD, International Community for Auditory Display, (2004)A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes., , , , , , , , , und . Audio Mostly Conference, Seite 224-231. ACM, (2021)Cognition and the temporal arts: Investigating audience response to dance using PDAs that record continuous data during live performance., , , , , , , und . Int. J. Hum. Comput. Stud., 67 (9): 800-813 (2009)A New Look at Musical Expectancy: The Veridical Versus the General in the Mental Organization of Music., und . CMMR, Volume 9617 von Lecture Notes in Computer Science, Seite 358-370. (2015)