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A Recommender System of Extended Reality Experiences., , and . ICIGP, page 96-100. ACM, (2020)Snapshots of complexity: using motion capture and principal component analysis to reconceptualise dance., and . Digit. Creativity, 25 (1): 62-78 (2014)Touching space: using motion capture and stereo projection to create a "virtual haptics" of dance., and . SIGGRAPH Art Gallery, page 359-366. ACM, (2010)Haptically-Enabled Dance Visualisation Framework for Deafblind-Folded Audience and Artists., , , , , , , , , and . SMC, page 446-450. IEEE, (2015)Oncheon: Learning to perform motion trails for virtual spaces., , and . EVA, BCS, (2020)Skin to Skin: Performing Augmented Reality., , , , and . Augmented Reality Art, Springer, (2014)Teaching a Digital Performing Agent: Artificial Neural Network and Hidden Markov Model for recognising and performing dance movement., , , , and . MOCO, page 70. ACM, (2014)Learning to replace a human: A virtual performing agent., , , , , and . Int. J. Virtual Real., 15 (1): 18-22 (2015)Recognition: combining human interaction and a digital performing agent., , , , , and . VRIC, page 19:1-19:5. ACM, (2014)