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Human Coded Orchestra: a System for Extemporary Group Singing Performance.

, , , , and . ACE, page 42:1-42:6. ACM, (2016)

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Transformed Human Presence for Puppetry., , , , , and . ACE, page 38:1-38:6. ACM, (2016)LeviFab: stabilization and manipulation of digitally fabricated objects for superconductive levitation., , , , , , , , , and . SIGGRAPH Posters, page 7:1-7:2. ACM, (2017)Redesign of Cartesian Diver for Underwater Expression Combining Dynamic Fabrication with Non-contact Manipulation., , , , , and . HCI (28), volume 850 of Communications in Computer and Information Science, page 241-246. Springer, (2018)You as a Puppet: Evaluation of Telepresence User Interface for Puppetry., , , , , and . UIST, page 217-228. ACM, (2017)Digital fabrication and manipulation method for underwater display and entertainment., , , , , , and . SIGGRAPH Posters, page 76:1-76:2. ACM, (2017)Cross-field haptics: tactile device combined with magnetic and electrostatic fields for push-pull haptics., , , and . SIGGRAPH ASIA Emerging Technologies, page 13:1-13:2. ACM, (2016)Yadori: mask-type user interface for manipulation of puppets., , , , , and . SIGGRAPH Emerging Technologies, page 23:1. ACM, (2016)Cross-field haptics: push-pull haptics combined with magnetic and electrostatic fields., , , and . SIGGRAPH Posters, page 30:1-30:2. ACM, (2016)Sprout: Demonstration of Soft Expressive Robot., , and . HRI (Companion), page 83-84. ACM, (2024)Exploring the Design Space of Extra-Linguistic Expression for Robots., and . Conference on Designing Interactive Systems, page 2689-2706. ACM, (2023)