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Préservation de processus temps réel. Vers un document numérique.

, , , and . Document Numérique, 11 (3-4): 59-80 (2008)

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Préservation de processus temps réel. Vers un document numérique., , , and . Document Numérique, 11 (3-4): 59-80 (2008)Human Actors and Virtual Agents Playing Together to Transform Stage Direction Practices., and . IVA, volume 4722 of Lecture Notes in Computer Science, page 358-359. Springer, (2007)Electronic Music Documentations, Practices and Models., , , and . ICMC, Michigan Publishing, (2018)Toward An Organology Of Virtual Instruments In Computer Music., , , , , and . ICMC, Michigan Publishing, (2010)Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance Arts., and . ICMC, Michigan Publishing, (2010)Modéliser les processus de création de la musique avec dispositif numérique : représenter pour rejouer et préserver les oeuvres contemporaines., , and . IC, page 83-98. (2012)Copier/coller, ou recopier ? La transmission entre artistes des œuvres musicales avec dispositif numérique.. Technique et Science Informatiques, 32 (3-4): 457-480 (2013)The preservation, emulation, migration, and virtualization of live electronics for performing arts: An overview of musical and technical issues., and . ACM Journal on Computing and Cultural Heritage, 1 (1): 6:1-6:16 (2008)Ontology Management for Preservation of Interactive Multimedia performances., , , , , and . ICMC, Michigan Publishing, (2008)Our Research for lost Route to Root., , , and . ICMC, Michigan Publishing, (2008)