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Linear Basis Models for Prediction and Analysis of Musical Expression

, and . Journal of New Music Research, (2012)

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Auto-adaptive Resonance Equalization using Dilated Residual Networks., , and . ISMIR, page 405-411. (2019)Toward Computer-Assisted Understanding of Dynamics in Symphonic Music., , , and . IEEE Multim., 24 (1): 36-46 (2017)Imposing higher-level Structure in Polyphonic Music Generation using Convolutional Restricted Boltzmann Machines and Constraints., , and . CoRR, (2016)Evolving Performance Models by Performance Similarity: Beyond Note-to-note Transformations., , and . ISMIR, page 67-72. (2006)Pseudo-Supervised Training Improves Unsupervised Melody Segmentation., , and . IJCAI, page 2459-2465. AAAI Press, (2015)Expressivity-Preserving Tempo Transformation for Music - A Case-Based Approach., , and . KI, volume 4314 of Lecture Notes in Computer Science, page 1-6. Springer, (2006)The match file format: Encoding Alignments between Scores and Performances., , , , , and . CoRR, (2022)Expressivity-aware tempo transformations of music performances using case based reasoning.. Pompeu Fabra University, Spain, (2006)Who Is Who in the End? Recognizing Pianists by Their Final Ritardandi., and . ISMIR, page 51-56. International Society for Music Information Retrieval, (2009)Improving Content-Invariance in Gated Autoencoders for 2D and 3D Object Rotation., and . CoRR, (2017)