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Thinking head: Towards human centred robotics., , , , and . ICARCV, page 2042-2047. IEEE, (2010)Simultaneous Manipulation of Parameters of Auditory Icons to Convey Direction, Size, and Distance: Effects on Recognition and Interpretation., , and . ICAD, International Community for Auditory Display, (2004)Realistic eye model for embodied conversational agents., and . FAA, page 5:1. ACM, (2012)Active or passive?: Investigating the impact of robot role in meetings., , , , , and . RO-MAN, page 580-585. IEEE, (2014)Tonal Music as a Componential Code: Learning Temporal Relationships between and within Pitch and Timing Components., and . NIPS, page 1085-1092. Morgan Kaufmann, (1993)Robot Pressure: The Impact of Robot Eye Gaze and Lifelike Bodily Movements upon Decision-Making and Trust., and . ICSR, volume 8755 of Lecture Notes in Computer Science, page 330-339. Springer, (2014)Dynamic dance warping: Using dynamic time warping to compare dance movement performed under different conditions., , and . MOCO, page 94. ACM, (2014)A comparison of connectionist models of music recognition and human performance., and . Minds and Machines, 2 (4): 379-400 (1992)Control of Speech-Related Facial Movements of an Avatar from Video., and . IVA, volume 6895 of Lecture Notes in Computer Science, page 445-446. Springer, (2011)The User Knows: Considering the Cognitive Contribution of the User in the Design of Auditory Warnings., and . HCI (17), volume 5639 of Lecture Notes in Computer Science, page 126-135. Springer, (2009)