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Pitch Contours as a Mid-Level Representation for Music Informatics., , , and . Semantic Audio, Audio Engineering Society, (2017)Neural Music Synthesis for Flexible Timbre Control., , , and . ICASSP, page 176-180. IEEE, (2019)An Introduction to Signal Processing for Singing-Voice Analysis: High Notes in the Effort to Automate the Understanding of Vocals in Music., , , , , , , , , and 2 other author(s). IEEE Signal Process. Mag., 36 (1): 82-94 (2019)I can listen but cannot read: An evaluation of two-tower multimodal systems for instrument recognition., , and . CoRR, (2024)MDB-mf0-synth., , , , , and . (November 2018)Towards the characterization of singing styles in world music., , , and . ICASSP, page 636-640. IEEE, (2017)A Lightweight Instrument-Agnostic Model for Polyphonic Note Transcription and Multipitch Estimation., , , , and . ICASSP, page 781-785. IEEE, (2022)Improving and Adapting Finite State Transducer Methods for Musical Accompaniment., , , and . ICMC, Michigan Publishing, (2015)GuitarSet: A Dataset for Guitar Transcription., , , , and . ISMIR, page 453-460. (2018)Audio-based Musical Version Identification: Elements and Challenges., , , , and . CoRR, (2021)