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An HMM approach for synthesizing amused speech with a controllable intensity of smile.

, , , , and . ISSPIT, page 7-11. IEEE Computer Society, (2015)

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Towards Achieving Robust Universal Neural Vocoding., , , , , , , and . INTERSPEECH, page 181-185. ISCA, (2019)Cross-lingual Style Transfer with Conditional Prior VAE and Style Loss., , , , , and . INTERSPEECH, page 4586-4590. ISCA, (2022)Distribution Augmentation for Low-Resource Expressive Text-To-Speech., , , , , , , , , and 1 other author(s). ICASSP, page 8307-8311. IEEE, (2022)Prosodic Representation Learning and Contextual Sampling for Neural Text-to-Speech., , , , , , and . ICASSP, page 6573-6577. IEEE, (2021)Causal/anticausal Decomposition for mixed-phase Description of brass and Bowed String sounds., , , and . ICMC, Michigan Publishing, (2007)Controllable Emphasis with zero data for text-to-speech., , , , , , , , , and 4 other author(s). SSW, page 113-119. ISCA, (2023)CopyCat: Many-to-Many Fine-Grained Prosody Transfer for Neural Text-to-Speech., , , , , and . CoRR, (2020)Stylistic gait synthesis based on hidden Markov models., , and . EURASIP J. Adv. Signal Process., (2012)MAGE 2.0: New Features and its Application in the Development of a Talking Guitar., , , , and . NIME, page 547-550. nime.org, (2013)Using a pitch-synchronous residual codebook for hybrid HMM/frame selection speech synthesis., , , and . ICASSP, page 3793-3796. IEEE, (2009)