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On the Realization of NoaNoa and Près, Two Pieces for Solo Instruments and Ircam Signal Processing Workstation.

, , and . ICMC, Michigan Publishing, (1993)

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A New Chant Synthesizer in C and Its Control Environment in PATCHWORK., , and . ICMC, Michigan Publishing, (1991)Models of Continuity between Synthesis and Processing for the Elaboration and Control of Timbre Structures., , and . ICMC, Michigan Publishing, (1985)A Digital Signal Multiprocessor and its Musical Application., , , and . ICMC, Michigan Publishing, (1989)The CHANT Project: Modelization and Production, an Environment for Composers Including the FORMES Language for Describing and Controlling Sound and Musical Processes., , , and . ICMC, Michigan Publishing, (1982)Integration of Aid to Composition and Performance Environments: Experiences of Interactions between Patchwork and Max-ISPW., and . ICMC, Michigan Publishing, (1993)Real-time Interaction between Musicians and Computer: Live Performance Utilisations of the 4X Musical Workstation., , , and . ICMC, Michigan Publishing, (1986)Musical Production at IRCAM in 1986-87.. ICMC, Michigan Publishing, (1987)Experimenting with Models of Resonance Produced by a New Technique for the Analysis of Impulsive Sounds., , and . ICMC, Michigan Publishing, (1986)IRCAM: Studio Report., , and . ICMC, Michigan Publishing, (1990)ESQUISSE: A Compositional Environment., , , , , , and . ICMC, Michigan Publishing, (1988)