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Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic.

, , , , and . Computer Music Journal, 23 (3): 59-72 (1999)

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Creating Interactive Poly-Artistic Works: The ConceptMove Project., , and . International Conference on Virtual Storytelling, volume 4871 of Lecture Notes in Computer Science, page 214-218. Springer, (2007)Dynamic Audio Mixing., , and . ICMC, Michigan Publishing, (2000)Mixage mobile., and . IHM, volume 133 of ACM International Conference Proceeding Series, page 75-82. ACM, (2006)Toward a Complete Open Source Software Environment for the Creation of Interactive poly-Artistic Works., , , and . ICMC, Michigan Publishing, (2007)A Mixed 2D/3D Interface for Music Spatialization., and . Virtual Worlds, volume 1434 of Lecture Notes in Computer Science, page 298-307. Springer, (1998)Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic., , , , and . Computer Music Journal, 23 (3): 59-72 (1999)Guessing the Composer's Mind: Applying Universal Prediction to Musical Style., , and . ICMC, Michigan Publishing, (1999)MidiSpace: A Temporal Constraint-Based Music Spatializer., and . ACM Multimedia, page 351-359. ACM, (1998)MusicSpace: a Constraint-Based Control System for Music Spatialization., and . ICMC, Michigan Publishing, (1999)Objects, Time and Constraints in OpenMusic., , , and . ICMC, Michigan Publishing, (1998)