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Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments.

, , and . NIME, page 183-186. nime.org, (2009)

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Recent Research in Computer Music at CCRMA., , , , , , and . COMPCON, page 35-39. IEEE Computer Society, (1982)Digital modeling of string instrument bridge reflectance and body radiativity for sound synthesis by digital waveguides., , and . WASPAA, page 1-5. IEEE, (2015)Watermarking parametric representations for synthetic audio., and . ICASSP (5), page 660-663. IEEE, (2003)Wave digital filter modeling of circuits with operational amplifiers., , , , and . EUSIPCO, page 1033-1037. IEEE, (2016)Physical Audio Signal Processing: for Virtual Musical Instruments and Digital Audio Effects. (2006)Source range and depth estimation from multipath range difference measurements., and . IEEE Trans. Acoust. Speech Signal Process., 37 (8): 1157-1165 (1989)Closed-form least-squares source location estimation from range-difference measurements., and . IEEE Trans. Acoust. Speech Signal Process., 35 (12): 1661-1669 (1987)Design of Recursive Digital Filters in Parallel Form by Linearly Constrained Pole Optimization., , and . IEEE Signal Process. Lett., 23 (11): 1547-1550 (2016)Audio Watermarking through Deterministic plus Stochastic Signal Decomposition., and . EURASIP J. Inf. Secur., (2007)Parameterized Finite Difference Schemes for Plates: Stability, the Reduction of Directional Dispersion and Frequency Warping., , and . IEEE Trans. Speech Audio Process., 15 (4): 1488-1495 (2007)