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SymPlot: A Web-Tool to Visualise Symbolic Musical Data., , , and . IV, page 537-543. IEEE, (2020)The Perception and Analysis of the Likeability and Human Likeness of Synthesized Speech., , , , , and . INTERSPEECH, page 2863-2867. ISCA, (2018)A Diplomatic Edition of Il Lauro Secco: Ground Truth for OMR of White Mensural Notation., , and . ISMIR, page 557-564. (2019)Musical-Linguistic Annotations of Il Lauro Secco., , , and . ISMIR, page 461-467. (2018)Automatic Recognition of Texture in Renaissance Music., , , , and . ISMIR, page 509-516. (2021)Towards Explainable and Interpretable Musical Difficulty Estimation: A Parameter-efficient Approach., , , , and . CoRR, (2024)Perception of Paralinguistic Traits in Synthesized Voices., , , , , and . Audio Mostly Conference, page 17:1-17:5. ACM, (2017)Do Perceived Gender Biases in Retrieval Results Affect Relevance Judgements?, , , and . BIAS, volume 1610 of Communications in Computer and Information Science, page 104-116. Springer, (2022)Music4All-Onion - A Large-Scale Multi-faceted Content-Centric Music Recommendation Dataset., , , , and . CIKM, page 4339-4343. ACM, (2022)Traces of Globalization in Online Music Consumption Patterns and Results of Recommendation Algorithms., , , , , and . ISMIR, page 291-297. (2022)