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Compel: a Crowdsourced Community-building Repository for Reproducible Computer Music.

, and . ICMC, Michigan Publishing, (2018)

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L2OrkMote: Reimagining a Low-Cost Wearable Controller for a Live Gesture-Centric Music Performance., , and . NIME, page 275-280. nime.org, (2018)University of Cincinnati, College-Conservatory of Music Center for Computer Music - (ccm)2 in 2004., , , , and . ICMC, Michigan Publishing, (2004)Fusality: an open framework for cross-platform mirror world installations., , , , , , and . Web3D, page 171-179. ACM, (2015)μ Max-Unity3D Interoperability Toolkit., and . ICMC, Michigan Publishing, (2009)The impact of scaling the production of a new interface for musical expression on its design: a story of L2Orkmotes., , and . Audio Mostly Conference, page 138-145. ACM, (2020)Cinemacraft: exploring fidelity cues in collaborative virtual world interactions., , and . Virtual Real., 24 (1): 53-73 (2020)Investigating Artistic potential of the Dream Interface: the Aural Painting., , and . ICMC, Michigan Publishing, (2008)OPERAcraft: Blurring the Lines between Real and Virtual., , , , and . ICMC, Michigan Publishing, (2014)Compel: a Crowdsourced Community-building Repository for Reproducible Computer Music., and . ICMC, Michigan Publishing, (2018)Perception of spatial data properties in an immersive multi-layered auditory environment., , , and . Audio Mostly Conference, page 30-37. ACM, (2020)