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The Archive as Collaborative Learning Space., , and . DH, page 567. Red de Humanidades Digitales A. C., (2018)Semantic Deep Mapping in the Amsterdam Time Machine: Viewing Late 19th- and Early 20th-Century Theatre and Cinema Culture Through the Lens of Language Use and Socio-Economic Status., , , , , , , , , and 5 other author(s). UHDL, volume 1501 of Communications in Computer and Information Science, page 191-212. Springer, (2019)Automatic Annotations and Enrichments for Audiovisual Archives., , , and . ICAART (1), page 633-640. SCITEPRESS, (2021)Archives and AI: An Overview of Current Debates and Future Perspectives., , , and . ACM Journal on Computing and Cultural Heritage, 15 (1): 4:1-4:15 (2022)Evaluation of preservation strategies for an interactive, software-based artwork with complex behavior using the case study Horizons (2008) by Geert Mul., , and . iPRES, (2018)Archives and AI: An Overview of Current Debates and Future Perspectives., , , and . CoRR, (2021)Preservation strategies for an internet-based artwork yesterday today and tomorrow., , , and . iPRES, (2019)Media Suite: Unlocking Audiovisual Archives for Mixed Media Scholarly Research., , , and . CLARIN Annual Conference, volume 159 of Linköping Electronic Conference Proceedings, page 133-143. Linköping University Electronic Press, (2018)(Not) Going to the Movies: A geospatial analysis of cinema markets in The Netherlands and Flanders (1950-1975)., , , , , and . DH, Alliance of Digital Humanities Organizations (ADHO), (2017)Identifying and Classifying Uncertainty Layers in Web Document Quality Assessment., , and . URSW@ISWC, volume 1665 of CEUR Workshop Proceedings, page 61-64. CEUR-WS.org, (2016)