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atmoSphere: designing cross-modal music experiences using spatial audio with haptic feedback.

, , , , , and . SIGGRAPH Emerging Technologies, page 4:1-4:2. ACM, (2017)

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Designing a Haptic Feedback System for Hearing-Impaired to Experience Tap Dance., , and . UIST (Adjunct Volume), page 97-99. ACM, (2016)TeleStick: Video Recording and Playing System Optimized for Tactile Interaction using a Stick., , , , , , , , , and 2 other author(s). VRST, page 74:1-74:2. ACM, (2022)MeLight: Embodied Appreciation of "Inouzu"., , , , , , , , and . VRIC, page 16:1-16:3. ACM, (2017)Maintaining Continuing Bonds in Bereavement: A Participatory Design Process of Be.side., , , , and . CHI, page 1002:1-1002:15. ACM, (2024)Multichannel Haptic Communication Platform with Wearable Sensing and Display., , , , , , , and . SIGGRAPH Asia Emerging Technologies, page 15:1-15:2. ACM, (2023)A Tool for Collecting and Designing Haptic Experiences., , and . AsiaHaptics, volume 432 of Lecture Notes in Electrical Engineering, page 433-436. Springer, (2016)Synesthesia Suit., , , , , , and . AsiaHaptics, volume 432 of Lecture Notes in Electrical Engineering, page 499-503. Springer, (2016)Graffiti fur: turning your carpet into a computer display., , , , , and . UIST, page 149-156. ACM, (2014)Grassffiti: Drawing Method to Produce Large-scale Pictures on Conventional Grass Fields., , , , , , and . TEI, page 413-417. ACM, (2017)Delivering electricity to home appliances by mobile robots., , , , and . ICRA, page 6375-6381. IEEE, (2014)