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Sound morphing by feature interpolation., and . ICASSP, page 161-164. IEEE, (2011)Nonlinear Dynamics in Physical Models: From Basic Models to True Musical-Instrument Models., and . Computer Music Journal, 23 (3): 35-49 (1999)MCIpa: A Music Content Information Player and Annotator for Discovering Music., , and . ISMIR, page 243-248. (2008)Automatic Adaptation of the Time-Frequency Resolution for Sound Analysis and Re-Synthesis., , , , and . IEEE Trans. Speech Audio Process., 21 (5): 959-970 (2013)Objective evaluation of the Dynamic Model Selection method for spectral voice conversion., and . ICASSP, page 5132-5135. IEEE, (2011)Sound Navigation in PHASE Installation: Producing Music as Performing a Game Using Haptic Feedback., , and . International Conference on Virtual Storytelling, volume 3805 of Lecture Notes in Computer Science, page 41-50. Springer, (2005)Time domain speech synthesis-by-rules using a flexible and fast signal management system., and . ICASSP, page 895-898. IEEE, (1979)Synthesizing a choir in real-time using Pitch Synchronous Overlap Add (PSOLA)., , , , and . ICMC, Michigan Publishing, (2000)Detection and modeling of fast attack transients., and . ICMC, Michigan Publishing, (2001)Formes: an Object and Time Oriented System for Music Composition and Synthesis., and . LISP and Functional Programming, page 85-95. ACM, (1984)