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Towards the Concept of Digital Dance and Music Instruments., , , and . NIME, page 89-94. nime.org, (2019)Being (A)part of NIME: Embracing Latin American Perspectives., , , , , , , , , and 3 other author(s). NIME, nime.org, (2022)Batebit Controller: Popularizing Digital Musical Instruments Development Process., , , and . CoRR, (2021)Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes., , , , , , , , , and . NIME, page 285-290. nime.org, (2020)Gambiarra and Techno-Vernacular Creativity in NIME Research., , and . NIME, nime.org, (2021)Documentation and Replicability in the NIME Community., , , , , , and . NIME, nime.org, (2021)Designing dmis for popular music in the brazilian northeast: lessons learned., , , , , and . NIME, page 277-280. nime.org, (2015)Open Source DMIs: Towards a Replication Certification for Online Shared Projects of Digital Musical Instruments., , , , , and . HCI (41), volume 12423 of Lecture Notes in Computer Science, page 84-97. Springer, (2020)