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How Good is Good Enough? The Challenge of Evaluating Subjective Quality of AI-Edited Video Coverage of Live Events., , , , и . WICED@Eurographics/EuroVis, стр. 17-24. Eurographics Association, (2020)SaiNet: Stereo aware inpainting behind objects with generative networks., , , , и . CoRR, (2022)ZeST-NeRF: Using temporal aggregation for Zero-Shot Temporal NeRFs., , , , и . BMVC Workshop, BMVA Press, (2023)SVS: Adversarial refinement for sparse novel view synthesis., , , , и . BMVC, стр. 886. BMVA Press, (2022)SILT: Self-supervised Lighting Transfer Using Implicit Image Decomposition., , , , и . BMVC, стр. 82. BMVA Press, (2021)Automated Analysis of the Framing of Faces in a Large Video Archive., , , , , и . INT/WICED@AIIDE, том 2321 из CEUR Workshop Proceedings, CEUR-WS.org, (2018)AI in Production: Video Analysis and Machine Learning for Expanded Live Events Coverage., , , , , , , , и . IMX Workshops, стр. 77-78. ACM, (2023)Old School: An 8K Multicamera Shoot to Create a Dataset for Computational Cinematography., , и . IMX Workshops, стр. 76. ACM, (2023)