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The Temporal Window: Explicit Representation of Future Actions in Improvisational Performances.

, , , , , and . Creativity & Cognition, page 28-38. ACM, (2017)

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Knowing funny: genre perception and categorization in social video sharing., , and . CHI, page 297-306. ACM, (2011)From Shared Databases to Communities of Practice: A Taxonomy of Collaboratories., , , , , , and . J. Comput. Mediat. Commun., 12 (2): 652-672 (2007)The Temporal Window: Explicit Representation of Future Actions in Improvisational Performances., , , , , and . Creativity & Cognition, page 28-38. ACM, (2017)An analysis of the social structure of remix culture., and . C&T, page 165-174. ACM, (2009)The AntWriter Improvisational Writing System: Visualizing and Coordinating Upcoming Actions., , , , and . ICIDS, volume 10690 of Lecture Notes in Computer Science, page 336-340. Springer, (2017)The antecedents of remix., , , and . CSCW, page 1011-1022. ACM, (2014)Design Systems: A Community Case Study., , , and . CHI Extended Abstracts, page 1-8. ACM, (2020)Supporting the information needs of mobile microentrepreneurs in the developing world: the case of Indonesian food cart vendors., , and . ICTD, page 7:1-7:10. ACM, (2010)Location aware applications to support mobile food vendors in the developing world., , and . CHI Extended Abstracts, page 3385-3390. ACM, (2010)Viral Actions: Predicting Video View Counts Using Synchronous Sharing Behaviors., , , and . ICWSM, The AAAI Press, (2011)