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Bi-Level Speaker Supervision for One-Shot Speech Synthesis.

, , , , , and . INTERSPEECH, page 3989-3993. ISCA, (2020)

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Learning Speech Representation From Contrastive Token-Acoustic Pretraining., , , , , , and . CoRR, (2023)Half-Truth: A Partially Fake Audio Detection Dataset., , , , , , , and . Interspeech, page 1654-1658. ISCA, (2021)An Overview of Affective Speech Synthesis and Conversion in the Deep Learning Era., , , , , , , , , and 2 other author(s). Proc. IEEE, 111 (10): 1355-1381 (October 2023)Fully Automated End-to-End Fake Audio Detection., , , , , , , , and . DDAM@MM, page 27-33. ACM, (2022)Dynamic Speaker Representations Adjustment and Decoder Factorization for Speaker Adaptation in End-to-End Speech Synthesis., , , , , and . INTERSPEECH, page 4701-4705. ISCA, (2020)SceneFake: An Initial Dataset and Benchmarks for Scene Fake Audio Detection., , , , , , and . CoRR, (2022)Emotion Selectable End-to-End Text-based Speech Editing., , , , , and . CoRR, (2022)CampNet: Context-Aware Mask Prediction for End-to-End Text-Based Speech Editing., , , , and . IEEE ACM Trans. Audio Speech Lang. Process., (2022)Transfer Learning Based Progressive Neural Networks for Acoustic Modeling in Statistical Parametric Speech Synthesis., , , and . INTERSPEECH, page 907-911. ISCA, (2018)Bi-Level Style and Prosody Decoupling Modeling for Personalized End-to-End Speech Synthesis., , , , , and . ICASSP, page 6568-6572. IEEE, (2021)