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A dynamic programming variant of non-negative matrix deconvolution for the transcription of struck string instruments.

, , and . ICASSP, page 569-573. IEEE, (2015)

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Raw Multi-Channel Audio Source Separation using Multi- Resolution Convolutional Auto-Encoders., , and . EUSIPCO, page 1577-1581. IEEE, (2018)A Hierarchical Latent Mixture Model for Polyphonic Music Analysis., and . EUSIPCO, page 1910-1914. IEEE, (2018)Learning incoherent subspaces for classification via supervised iterative projections and rotations., and . MLSP, page 1-6. IEEE, (2013)On the disjointess of sources in music using different time-frequency representations., , , and . WASPAA, page 261-264. IEEE, (2011)Orthogonality-Regularized Masked NMF for Learning on Weakly Labeled Audio Data., , and . ICASSP, page 2436-2440. IEEE, (2018)Cross-task learning for audio tagging, sound event detection and spatial localization: DCASE 2019 baseline systems., , , , , and . CoRR, (2019)Performance Following: Real-Time Prediction of Musical Sequences Without a Score., and . IEEE Trans. Speech Audio Process., 20 (1): 190-199 (2012)Segment-Level Metric Learning for Few-Shot Bioacoustic Event Detection., , , , , and . DCASE, Tampere University, (2022)CL4AC: A Contrastive Loss for Audio Captioning., , , , , , and . DCASE, page 196-200. (2021)An Encoder-Decoder Based Audio Captioning System with Transfer and Reinforcement Learning., , , , , , , , , and 3 other author(s). DCASE, page 206-210. (2021)