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Plans and performances: Parallels in the production of science and music.

, , , , , , and . eScience, page 185-192. IEEE Computer Society, (2016)

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Digital Music Objects: Research Objects for Music., , , , , and . RO, (2018)A Toolkit for Live Annotation of Opera Performance: Experiences Capturing Wagner's Ring Cycle., , , , , , and . ISMIR, page 211-217. (2015)On hyperstructure and musical structure., , , , and . Hypertext, page 95-104. ACM, (2002)The Industrial Internet of Things in the Industry 4.0 supply chains: literature review and future trends., , , , , , , and . CoRR, (2019)Design of a dynamic and self-adapting system, supported with artificial intelligence, machine learning and real-time intelligence for predictive cyber risk analytics., , , , , , , , , and 1 other author(s). CoRR, (2020)The SSN ontology of the W3C semantic sensor network incubator group., , , , , , , , , and 12 other author(s). J. Web Semant., (2012)Capturing the workflows of music information retrieval for repeatability and reuse., , , , and . J. Intell. Inf. Syst., 41 (3): 435-459 (2013)A suite of APIs for the management of research objects., , , , , and . ISWC (Developers Workshop), volume 1268 of CEUR Workshop Proceedings, page 43-48. CEUR-WS.org, (2014)The MIDI Linked Data Cloud., , , , , , , , , and 1 other author(s). ISWC (2), volume 10588 of Lecture Notes in Computer Science, page 156-164. Springer, (2017)From Workflows to Research Objects: An Architecture for Preserving the Semantics of Science., , , , , , , , , and 1 other author(s). LISC@ISWC, volume 951 of CEUR Workshop Proceedings, CEUR-WS.org, (2012)