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A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems.

, and . NIME, page 36-39. nime.org, (2011)

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Methods and Prospects for Human-Computer Performance of Popular Music., , , and . Computer Music Journal, 38 (2): 36-50 (2014)Movement sonification expectancy model: leveraging musical expectancy theory to create movement-altering sonifications., , and . J. Multimodal User Interfaces, 14 (2): 153-166 (2020)Analysing Symbolic Music with Probabilistic Grammars., , and . Computational Music Analysis, Springer, (2016)A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems., and . NIME, page 36-39. nime.org, (2011)Comparing models of symbolic music using probabilistic grammars and probabilistic programming., and . ICMC, Michigan Publishing, (2014)Spatial Complexity Metrics: An Investigation of Utility., , and . IEEE Trans. Software Eng., 31 (3): 203-212 (2005)Towards Chatbot-Supported Self-Reporting for Increased Reliability and Richness of Ground Truth for Automatic Pain Recognition: Reflections on Long-Distance Runners and People with Chronic Pain., , , , , , , , and . ICMI Companion, page 43-53. ACM, (2021)The MiCLUES system: Dynamic, rich contextual support for museum visits., and . DH, Alliance of Digital Humanities Organizations (ADHO), (2014)Live Coding Music: Self-Expression through Innovation., and . DH, page 486. Alliance of Digital Humanities Organizations (ADHO), (2013)Virginia Dignum: Responsible Artificial Intelligence: How to Develop and Use AI in a Responsible Way.. Genet. Program. Evolvable Mach., 22 (1): 137-139 (2021)