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IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations.

, , , , and . Audio Mostly Conference, page 11:1-11:8. ACM, (2017)

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Jointist: Simultaneous Improvement of Multi-instrument Transcription and Music Source Separation via Joint Training., , , , , , , and . CoRR, (2023)A Domain-Knowledge-Inspired Music Embedding Space and a Novel Attention Mechanism for Symbolic Music Modeling., , and . AAAI, page 5070-5077. AAAI Press, (2023)Singing Voice Conversion with Disentangled Representations of Singer and Vocal Technique Using Variational Autoencoders., , , and . ICASSP, page 3277-3281. IEEE, (2020)Unsupervised Disentanglement of Pitch and Timbre for Isolated Musical Instrument Sounds., , , , and . ISMIR, page 700-707. (2020)ReconVAT: A Semi-Supervised Automatic Music Transcription Framework for Low-Resource Real-World Data., , and . ACM Multimedia, page 3918-3926. ACM, (2021)IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations., , , , and . Audio Mostly Conference, page 11:1-11:8. ACM, (2017)AttendAffectNet: Self-Attention based Networks for Predicting Affective Responses from Movies., , , and . ICPR, page 8719-8726. IEEE, (2020)Regression-based Music Emotion Prediction using Triplet Neural Networks., , , , and . IJCNN, page 1-7. IEEE, (2020)Sampling the extrema from statistical models of music with variable neighbourhood search., , and . ICMC, Michigan Publishing, (2014)Doppler Invariant Demodulation for Shallow Water Acoustic Communications Using Deep Belief Networks., , and . APWCS, page 1-5. IEEE, (2019)