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Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism., and . NIME, page 112-115. Media Lab Europe, (2002)Using Haptics to Assist Performers in Making Gestures to a Musical Instrument, , and . Proceedings of the International Conference on New Interfaces for Musical Expression, page 177--182. Pittsburgh, PA, (2009)Optimized Polynomial Spline Basis Function Design for Quasi-Bandlimited Classical Waveform Synthesis., , , and . IEEE Signal Process. Lett., 19 (3): 159-162 (2012)Theory of banded waveguides, , , and . Computer Music Journal, 28 (1): 37--50 (2004)The banded digital waveguide mesh, , and . Proc. Workshop on Future Directions of Computer Music, Barcelona, Spain, (2001)Using Haptic Devices to Interface Directly with Digital W aveguide-Based Musical Instruments, , and . Proceedings of the International Conference on New Interfaces for Musical Expression, page 183--186. Pittsburgh, PA, (2009)Mathematics of the discrete Fourier transform (DFT) : with audio applications. BookSurge, North Charleston, (2010)Physical Audio Signal Processing: for Virtual Musical Instruments and Digital Audio Effects. (2006)Source range and depth estimation from multipath range difference measurements., and . IEEE Trans. Acoust. Speech Signal Process., 37 (8): 1157-1165 (1989)Closed-form least-squares source location estimation from range-difference measurements., and . IEEE Trans. Acoust. Speech Signal Process., 35 (12): 1661-1669 (1987)