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Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism.

, and . NIME, page 112-115. Media Lab Europe, (2002)

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Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism., and . NIME, page 112-115. Media Lab Europe, (2002)Using Haptics to Assist Performers in Making Gestures to a Musical Instrument, , and . Proceedings of the International Conference on New Interfaces for Musical Expression, page 177--182. Pittsburgh, PA, (2009)Optimized Polynomial Spline Basis Function Design for Quasi-Bandlimited Classical Waveform Synthesis., , , and . IEEE Signal Process. Lett., 19 (3): 159-162 (2012)Theory of banded waveguides, , , and . Computer Music Journal, 28 (1): 37--50 (2004)The banded digital waveguide mesh, , and . Proc. Workshop on Future Directions of Computer Music, Barcelona, Spain, (2001)Using Haptic Devices to Interface Directly with Digital W aveguide-Based Musical Instruments, , and . Proceedings of the International Conference on New Interfaces for Musical Expression, page 183--186. Pittsburgh, PA, (2009)Mathematics of the discrete Fourier transform (DFT) : with audio applications. BookSurge, North Charleston, (2010)Recent Research in Computer Music at CCRMA., , , , , , and . COMPCON, page 35-39. IEEE Computer Society, (1982)Digital modeling of string instrument bridge reflectance and body radiativity for sound synthesis by digital waveguides., , and . WASPAA, page 1-5. IEEE, (2015)Watermarking parametric representations for synthetic audio., and . ICASSP (5), page 660-663. IEEE, (2003)