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Factors affecting audience perceptions of agency in human computer musical partnerships., , and . Creativity & Cognition, page 296-299. ACM, (2013)Techniques for Generative Melodies Inspired by Music Cognition., , and . Comput. Music. J., 39 (1): 11-26 (2015)Should Music Interaction Be Easy?, , , and . Music and Human-Computer Interaction, Springer, (2013)Prediction and Proactivity in Real-Time Interactive Music Systems., and . MUME@AIIDE, volume WS-13-22 of AAAI Technical Report, AAAI Press, (2013)Listening to the Thames., , and . EVA, BCS, (2014)Interacting with Musebots., , , , , and . NIME, page 19-24. nime.org, (2018)Flexible Generation of Musical Form: Beyond Mere Generation., , , and . ICCC, page 264-271. Sony CSL Paris, France, (2016)Amplifying Compositional Intelligence: Creating with a Psychologically-Inspired Generative Music System., , and . ICMC, Michigan Publishing, (2013)In a Silent Way: Communication Between AI and Improvising Musicians Beyond Sound., , , , , and . CHI, page 38. ACM, (2019)Stimulating Creative Partnerships in Human-Agent Musical Interaction., , and . Comput. Entertain., 14 (2): 5:1-5:17 (2016)