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Factors affecting audience perceptions of agency in human computer musical partnerships., , and . Creativity & Cognition, page 296-299. ACM, (2013)Techniques for Generative Melodies Inspired by Music Cognition., , and . Comput. Music. J., 39 (1): 11-26 (2015)Should Music Interaction Be Easy?, , , and . Music and Human-Computer Interaction, Springer, (2013)Prediction and Proactivity in Real-Time Interactive Music Systems., and . MUME@AIIDE, volume WS-13-22 of AAAI Technical Report, AAAI Press, (2013)Listening to the Thames., , and . EVA, BCS, (2014)Interacting with Musebots., , , , , and . NIME, page 19-24. nime.org, (2018)Stimulating Creative Partnerships in Human-Agent Musical Interaction., , and . Comput. Entertain., 14 (2): 5:1-5:17 (2016)Distributed Musical Decision-making in an Ensemble of Musebots : Dramatic Changes and Endings A Brief History of Musebot Ensembles., , , and . ICCC, page 88-95. Association for Computational Creativity (ACC), (2017)Autonomy, Authenticity, Authorship and Intention in Computer Generated Art., , and . EvoMUSART, volume 11453 of Lecture Notes in Computer Science, page 35-50. Springer, (2019)Appropriate and Complementary Rhythmic Improvisation in an Interactive Music System.. Music and Human-Computer Interaction, Springer, (2013)