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Computational Models of Expressive Music Performance: A Comprehensive and Critical Review.

, , , and . Frontiers Digit. Humanit., (2018)

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Basis-Function Modeling of Loudness Variations in Ensemble Performance., , and . CoRR, (2016)Computational Models of Expressive Music Performance: A Comprehensive and Critical Review., , , and . Frontiers Digit. Humanit., (2018)Are we describing the same sound? An analysis of word embedding spaces of expressive piano performance., , , and . CoRR, (2024)Sounding Out Reconstruction Error-Based Evaluation of Generative Models of Expressive Performance., , , and . CoRR, (2024)Developing Tonal Perception through Unsupervised Learning., , and . ISMIR, page 195-200. (2014)Sounding Out Reconstruction Error-Based Evaluation of Generative Models of Expressive Performance., , , and . DLfM, page 58-66. ACM, (2023)Towards computer-assisted understanding of dynamics in symphonic music., , , and . CoRR, (2016)An evaluation of linear and non-linear models of expressive dynamics in classical piano and symphonic music., , , and . Mach. Learn., 106 (6): 887-909 (2017)A Convolutional Approach to Melody Line Identification in Symbolic Scores., , , and . ISMIR, page 924-931. (2019)Pseudo-Supervised Training Improves Unsupervised Melody Segmentation., , and . IJCAI, page 2459-2465. AAAI Press, (2015)