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Computational Models of Expressive Music Performance: A Comprehensive and Critical Review.

, , , and . Frontiers Digit. Humanit., (2018)

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Towards computer-assisted understanding of dynamics in symphonic music., , , and . CoRR, (2016)Improving Content-Invariance in Gated Autoencoders for 2D and 3D Object Rotation., and . CoRR, (2017)The ACCompanion v0.1: An Expressive Accompaniment System., , , , , , , and . CoRR, (2017)An evaluation of linear and non-linear models of expressive dynamics in classical piano and symphonic music., , , and . Mach. Learn., 106 (6): 887-909 (2017)Linear Basis Models for Prediction and Analysis of Musical Expression, and . Journal of New Music Research, (2012)Evolutionary Optimization of Music Performance Annotation., , and . CMMR, volume 3310 of Lecture Notes in Computer Science, page 347-358. Springer, (2004)High-Level Control of Drum Track Generation Using Learned Patterns of Rhythmic Interaction., and . WASPAA, page 35-39. IEEE, (2019)Who Is Who in the End? Recognizing Pianists by Their Final Ritardandi., and . ISMIR, page 51-56. International Society for Music Information Retrieval, (2009)Auto-adaptive Resonance Equalization using Dilated Residual Networks., , and . ISMIR, page 405-411. (2019)Expressivity-Preserving Tempo Transformation for Music - A Case-Based Approach., , and . KI, volume 4314 of Lecture Notes in Computer Science, page 1-6. Springer, (2006)