n addition to his film work, Leacock is a superb essayist who, eschewing the stuffiness often found in theoretical writing for the cinema, presents opinions that are readable, enjoyable, and of tremendous importance for the filmmaker/auteur of today wishing to create in a seemingly very expensive world. We have chosen four essays which, we feel, represent "the essential Leacock". All bear his copyright. They are:
Three days later, when the police returned accompanied by experts from the French electricity board to see where the power was coming from, the phone and electricity lines had been cut and a note was lying in the middle of the floor: "Do not try to find u
A shortlist of six films is made by the UK's leading critics, film-school heads and festival directors from the foreign language films released in that year in the UK. The winner is selected by a panel of judges whose decision making process is screened as part of the award ceremony, screened live on BBC Four.