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Force-feedback interaction with a neural oscillator model: for shared human-robot control of a virtual percussion instrument., , and . EURASIP J. Audio Speech Music. Process., (2012)Portable modeling of virtual physics for audio and haptic interaction design., and . ICASSP, page 6568-6569. IEEE, (2017)A Spatially Distributed Vibrotactile Actuator Array for the Fingertips., , and . NIME, page 429-430. nime.org, (2019)Very Slack Strings: A Physical Model and Its Use in the Composition Quartet for Strings., , and . NIME, page 9-10. nime.org, (2016)The joystyx: a quartet of embedded acoustic instruments., and . NIME, page 271-274. nime.org, (2017)Using Recurrent Neural Networks to Dream Sequences of Audio., , and . ICMC, Michigan Publishing, (2018)Using Haptics to Assist Performers in Making Gestures to a Musical Instrument, , and . Proceedings of the International Conference on New Interfaces for Musical Expression, page 177--182. Pittsburgh, PA, (2009)Hybrid Virtual Modeling for Multisensory Interaction Design., , and . Audio Mostly Conference, page 215-221. ACM, (2016)Invisible: A Critical Digital Artwork as Performance., , and . CHI Extended Abstracts, page 1399-1404. ACM, (2017)Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments., , and . NIME, page 183-186. nime.org, (2009)